King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

The Kaaba can be seen at the Grand Mosque in Makkah. (@AlharamainSA)
The Kaaba can be seen at the Grand Mosque in Makkah. (@AlharamainSA)
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Updated 17 November 2024
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King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

The Kaaba can be seen at the Grand Mosque in Makkah. (@AlharamainSA)
  • Pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025
  • Minister said the hosting of the pilgrims is an extension of the great care that Saudi leadership takes to serve Islam and Muslims

RIYADH: Saudi Arabia’s King Salman has approved the hosting of 1,000 pilgrims from 66 countries to perform Umrah as part of the Custodian of the Two Holy Mosques Programme for Hajj, Umrah, and Visit.

The pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025.

The Minister of Islamic Affairs, Call, and Guidance and general supervisor of the Hajj and Umrah program Sheikh Abdullatif bin Abdulaziz Al-Sheikh thanked the Saudi leadership for enabling Muslims from different countries of the world to perform the minor pilgrimage with ease and peace of mind.

The minister said the hosting of the pilgrims is an extension of the great care that the leadership takes to serve Islam and Muslims.

He added it would strengthen the bonds of brotherhood among Muslims in various parts of the world and develop fruitful communication between scholars and influential figures who are hosted by the program.

The program has benefitted people from more than 140 countries since it was launched, the minister said.


Diriyah Season 24/25 launches celebration of history, culture and arts

Diriyah Season 24/25 launches celebration of history, culture and arts
Updated 27 sec ago
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Diriyah Season 24/25 launches celebration of history, culture and arts

Diriyah Season 24/25 launches celebration of history, culture and arts
  • Diriyah Season 24/25 will kick off with the Enduring Resilience Exhibition

RIYADH: The Diriyah Company has announced the launch of Diriyah Season 24/25, which begins on Friday, Dec. 20 with a display of Diriyah’s heritage, hospitality, and immersive cultural experiences through various programs.

Jerry Inzerillo, CEO of the Diriyah Company, said: “We anticipate welcoming three million visitors to At-Turaif district, the birthplace of the Kingdom, by Founding Day on Feb. 22, 2025.

“We are breaking records in visitor numbers and forming numerous partnerships for ground and tour operations, with new flights already arriving from countries like China. The international presence in Bujairi is evident every night, making it one of the world’s premier gathering spots.”

Under the theme “Entertain Your Cultural Curiosity,” Diriyah Season 24/25 will kick off with the Enduring Resilience Exhibition, honoring the legacy of Imam Turki bin Abdullah, who founded the Second Saudi State 200 years ago. The much-anticipated Layali Diriyah returns with innovative experiences, while Minzal invites visitors to appreciate the natural beauty and heritage of Diriyah in a winter wonderland.

Guests can engage with the “850” interactive experience, immersing themselves in the narratives of significant historical figures. The Diriyah Storytelling Festival will celebrate literature and promote cultural exchange. Additionally, the Tyn Festival will bring together architects, academics and enthusiasts to celebrate the region’s tradition of mud architecture.

In the historic At-Turaif district and Bujairi Terrace, visitors will embark on a journey filled with cultural and artistic expression. The Souq program combines performing arts with a heritage backdrop enriched by modern elements. Lastly, the Samri Art Activities will offer interactive performances of Samri folk music and dance at various locations in Diriyah throughout the season.


UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
Updated 20 December 2024
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UN Internet Governance Forum concludes in Riyadh

UN Internet Governance Forum concludes in Riyadh
  • Event witnessed launch of Riyadh Declaration to help strengthen international partnerships in AI
  • Forum featured experts from 170 countries

RIYADH: The UN Internet Governance Forum concluded its 19th edition on Thursday at the King Abdulaziz International Conference Center in Riyadh.

The forum’s organizers said that the global event had focused on internet governance policies and emerging digital challenges. It had achieved the highest attendance in the history of the forum, surpassing 11,000 participants.

The forum also witnessed the launch of the Riyadh Declaration, a document which aims at strengthening international partnerships in artificial intelligence and digital technologies to serve humanity.

The event featured experts and specialists in internet technology and policy from 170 countries, with more than 1,000 international speakers contributing to over 300 sessions and workshops, the Saudi Press Agency reported.

It revolved around four main topics: innovation and risk in the digital space; development and sustainability; promoting human rights and inclusiveness; and improving the digital governance of the internet, the SPA added.


King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
Updated 19 December 2024
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King Abdulaziz Falconry Festival concludes with record-breaking prize pool

King Abdulaziz Falconry Festival concludes with record-breaking prize pool
  • The 17-day event featured 1,032 falconers from nine countries, 3,322 birds and a total prize pool of $9.6 million

The 2024 King Abdulaziz Falconry Festival, which featured a prize pool of more than SR36 million ($9.6 million), the largest in the history of the event, concluded on Thursday.

The festival, which began on Dec. 3 and was organized by the The Saudi Falcons Club at its headquarters in Malham, north of Riyadh, featured 1,032 falconers, of whom 160 came from outside the Kingdom. They represented nine countries — Saudi Arabia, Bahrain, Kuwait, the UAE, Oman, Qatar, Syria, Italy and Ireland — and brought with them 3,322 birds. A youth section included 49 young falconers.

The festival culminated in two rounds of the King’s Sword, the toughest and most lucrative section of the Melwah competition, with total prize pools of SR925,000 for each round.

Barghash Al-Mansouri, who won the first round in the Shaheen and Hur categories, said his falcon SH13 had performed exceptionally well to clinch first place. He said the bird has great strength but can be affected by adverse wind conditions. On the day, however, conditions were favorable and it was able to maintain stability and perform at its best.

He added that he had expected Shama, a falcon owned by Fahd Al-Mansouri, to take the top spot but instead it finished second. He thanked the club for its exceptional efforts in organizing the festival and congratulated all the winners, noting that the competition grows stronger each year.

Talal Al-Shumaisi, CEO of the Saudi Falcons Club, thanked the Kingdom’s leaders for their support of falconry and its heritage, in particular Crown Prince Mohammed bin Salman, who is the club’s general supervisor. He also thanked Minister of Interior Prince Abdulaziz bin Saud bin Naif, the chairman of the board of directors of the club, for his support.


Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
Updated 19 December 2024
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Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects

Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
  • The exhibition features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom

RIYADH: Princess Nourah bint Abdulrahman University, represented by the College of Design and Arts, has launched the “Itar Exhibition 2024” to feature the graduation projects of 26 students from the film production and animation program.

The exhibition, which is part of the Department of Film and Theater Arts’ graduation project course, features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom.

The exhibition highlights the cognitive, technical, and creative skills developed by the graduates through their film projects, demonstrating their proficiency in applying creative and critical thinking methodologies.

The exhibition provides a platform for interaction and collaboration among graduates, university students, employers, industry professionals, researchers, partners, the business sector, and the broader community. It also prepares graduates to compete in the job market and venture into entrepreneurship.

Haya Al-Rashoud, head of the Department of Film and Theater Arts at PNU, said that the exhibition is part of the College of Design and Arts’ commitment to developing national talent. It aims to foster a supportive and inspiring environment for creativity, expertise, and specialized scientific skills, while aligning with the evolving demands of the labor market, particularly in the film industry.

The “Itar Exhibition 2024” at the College of Design and Arts reflects the objectives of PNU’s 2025 strategic plan, aiming to cultivate competitive talent and empower female students. It creates an educational environment that inspires creativity, enriches cultural and artistic expression, and promotes learning, research, and innovation. 

Additionally, it underscores the university’s commitment to advancing women’s leadership in driving development and progress.


Telling stories of Al-Ahsa through art 

Telling stories of Al-Ahsa through art 
Updated 19 December 2024
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Telling stories of Al-Ahsa through art 

Telling stories of Al-Ahsa through art 
  • Fatima Al-Hammadi uses fronds to showcase the history and heritage of her region through a natural element 

 

MAKKAH: In a small house shaded by palm trees in the heart of Al-Ahsa’s palm oasis, artist Fatima Al-Hammadi transforms fronds – often considered mere remnants of palm trees – into works of art.

Her creations tell the story of Al-Ahsa’s ancient heritage. Since childhood, Al-Hammadi viewed the surrounding palm trees from a unique perspective. 

They were not just a source of livelihood; they symbolized civilization itself. Motivated by this, she decided to breathe new life into the fronds, using her art to highlight the beauty of Saudi heritage both locally and internationally.

A graphic artist accredited by the Saudi Ministry of Education, Al-Hammadi told Arab News, “I have always been passionate about graphic art. It is a dream I have aspired to achieve on the global stage. 

“I have always wanted to become an internationally recognized graphic artist. Today, I am working hard to make that dream a reality, armed with my skills and my deep connection to the heritage of my homeland, Al-Ahsa.”

“Al-Ahsa, the famous palm oasis in the Eastern Province, inspired me to transform the land’s natural bounty into art. Palm fronds are the primary material I use in my work. I take them – once considered waste, destined to be burned – and transform them into art that reflects the story of Al-Ahsa’s civilization and heritage. My goal has always been to showcase the history and heritage of my region through this natural element. My work has been highly appreciated in Al-Ahsa and across the Kingdom,” she explained.

“During the various exhibitions and events I have participated in, I noticed the public’s interest and fascination with artwork that blends nature and creativity.” She attributes her choice of palm fronds to her inspiration from nature itself, which has earned her recognition among both art lovers and heritage enthusiasts.

Reflecting on the evolution of graphic art in the Kingdom, Al-Hammadi noted its remarkable growth and prosperity. 

“The fact that young men and women are showing increased interest in graphic arts signals the maturing taste of the Kingdom’s art scene. However, this sector requires greater support from art institutions,” she said, emphasizing the importance of artists’ awareness of their local culture and national heritage in fostering the growth of graphic art.

Underlining the need for more local and international art exhibitions and opportunities for artists to participate in local, Arab and international art fair, she said: “This kind of support is crucial for raising the profile of Saudi graphic art and enabling it to compete on the world stage.”

With her ambitious vision and the support of her community, Al-Hammadi looks forward to a bright future for graphic arts in the Kingdom, where creativity serves as a bridge between the ancient past and the present.